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Welcome to
drakebriscoe.com - Here you will find a collection of paintings by the
British artist Mark Briscoe, renowned for his works in tempera and oil,
his current paintings are a culmination of experience working in a
variety of different artistic expressions. The graceful flowing line
that runs through his compositions are drawn from his knowledge of
miniature Indian painting that he studied under the master artist Ram
Krishna Sharma in Udaipur India. His experience with decorative
furniture and the painting techniques used by the old master artists
has paved way to a method that combines a charming mix of classic
technique with some modern expressionism and a little folk influence,
work which really defies easy categorization. His paintings are on view
at several art galleries in the USA (See Landscape Gallery) Subjects
include flower painting, still life compositions, portraits, paintings
of animals. In some of his more unusual compositions he introduces
whimsical twists on proportions, scale and perspective, all with an
elevating and explosive impasto brush technique that is more than just
a mere application of thick paint. Close-up details of his work can be
seen in the landscape gallery that try to convey the attractive
richness of his paintings' surface. There are also two galleries of his
previous work with chinoiserie decorated furniture and classical Indian
paintings.
Mark uses the versatile and classic painting medium of egg tempera with oil,
a highly durable paint emulsion that has been used by artists for well
over a 1000 years. Artists that include: Leonardo de Vinci, William
Blake, Sandro Botticelli, Otto Dix and Andrew Wyeth to name just a few.
Please click on the image below to view a selection of Mark Briscoe's
current paintings.
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I am a full time artist originally from the
U.K. I moved out to Spain a few years ago to escape the well known
English weather. For many years I
worked in the field of Chinoiserie furniture decoration (furniture
decorated in the Chinese manner) restoration of antique lacquer and
Indian paintings. In more recent years I have been concentrating on
fine art compositions on panels using a combination of oil and egg
tempera.
Tempera - when combined with oils - is a wonderful and durable paint
medium, and through exhaustive studio experimentation I have found it
to be the most versatile and enjoyable of mediums. I am very much of
the school of thought as was Tom Keating that most of the old masters
(including many 19th century masters) used egg tempera/oil emulsions in
their paintings a lot more than is given credit for. It is the perfect
medium for impasto brush work and has the added bonus of being
compatible with straight oil paint which adheres well to its surface.
The color pigments which I buy from L. Cornelissen in London are of the
finest grade and completely light-fast/ permanent: They will not fade.
My
works are mostly landscapes, botanical studies, portraits and still
life compositions. some quite traditional like a vase of flowers
painting, a dramatic landscape, a classic portrait, or a still life
with fruit, and some others are a little more unusual or surreal, where
I bring together elements from a landscape like a grazing sheep with
trees and bushes and put them into a still life setting with a flower
vase and bowl of fruit. In many of my paintings I use a fairly bold
quivering line that reminds
us of the works of Van Gogh although my technique is fundamentally
different to his.
Among my favorite well known artists are Peter Paul Rubens,
François Boucher, J.M.W. Turner, and Claude Lorrain.
More recent artists include: Salvador Dali, Vincent van Gogh, Paul
Gauguin and Claude Monet.
I hope you enjoy the pages of this
website and please feel free to contact us should you have any
inquiries. Directly below is a link to a wonderful meditation practice
called Sahaja Yoga.

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"why
is the modern day artist always required to explain everything about
his work? Certainly a work of art involving several old car tyres
strung to a ceiling with mouldy baked bean cans attached would require
some sort of explanation. But since when did aesthetics take a back
seat in
painting, good old fashioned beauty, Many of todays modern 'art works'
will surely one day be returned from whence they came; namely, the
scrap heap" - Mark Drake-Briscoe
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Home |
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2005 Drake-Briscoe
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